Walkie Talkie Lingo Cheat Sheet
Channel assignments, copy phrases, and on-set acronyms a new PA needs on day one. Designed to live in a hip pocket, fold into a binder, or pin on the production-office wall.

- Format
- Pages
- 2 — front and back
- Best for
- PAs, new ADs, onboarding
- License
- Free for commercial use
Why this cheat sheet
Walkies are how a film set runs.
Every department on a working set lives on a walkie. The 1st AD pages the DP; locations checks in with transportation; the script supervisor wants confirmation on a slate. When everyone is on the right channel and the etiquette is clean, the day moves. When new PAs are guessing, the channel turns into a group chat.
This cheat sheet gives a new PA — or any crew member starting on a new show — what they need to know on day one: which channel each department lives on, which phrases mean what, and which behaviors will get the radio taken away.

What it looks like
Channels on top, phrases below — designed to be scanned at speed.
Single page, hand-typeset so the most-asked questions on a busy set are answered in the first second.
Channel-first layout
Standard department channels at the top so a new PA knows where to listen.
Plain-English phrasing
Every callout written the way working sets actually say it.
Hip-pocket sized
Designed to fold and survive a 14-hour day in the rain.
Print-ready PDF
Letter and A4 friendly, no scaling required, no watermark.
What's on the page
Channels, phrases, and the etiquette every set assumes you know.
Standard channel assignments
Channel 1
Production.
Channels 2 & 4
Open — for one-on-one conversations.
Channel 3
Transportation.
Channel 5
Props / Art.
Channel 6
Camera.
Channel 7
Electric.
Channel 8
Grip.
Channel 9
Locations.
Channels 10–16
Open — additional one-on-ones.
Common radio phrases
"Radio check"
Verify the radio is working.
"Copy" / "10-4"
Confirm receipt of a transmission.
"What's your 20"
Where are you?
"Eyes on"
Visual confirmation of person or item.
"Stand by" / "Standing by"
Hold the channel; awaiting instructions.
"Lock it up"
Restrict access to the location for a take.
"Final checks" / "Last looks"
Final verification before rolling.
"Roll camera" / "Turnover"
Begin recording.
"Reset" / "Back to one"
Return to starting positions.
"First team" / "Second team"
Principal cast vs. stand-ins.
"Strike" / "86"
Remove an item from set.
"Stinger"
Extension cord.
"Hot brick"
Fully charged battery.
Etiquette
Think — press — speak.
Hold the radio a few inches from your face. Speak clearly at conversational volume. Begin with name-for-name ("Chris for Ben") so the person you are calling knows it is for them. Keep the transmission short — if it is going to be a conversation, ask to switch to an open channel.
Treat the radio with care; they are expensive. Do not joke during filming. If a senior crew member needs the radio, surrender it without arguing. The PA who learns this in the first week is the PA who is on set in week six.
- 01
Print-ready
Sized to print on letter or A4, fold once, and tuck into a hip pocket. Stays legible after a day in the rain.
- 02
Professional
The same channels and phrases working sets actually use — not the shorthand you'd find on a forum thread.
- 03
Beautiful
Hand-typeset so the page is easy to scan in low light, mid-call, or in the back of a van.
- 04
Free
Download it, print a stack, and hand them out at every onboarding.
Building a call sheet?
Walkie channels go on the back of every call sheet.
Drop your channel assignments straight into a SetHero call sheet — and your crew sees them on every shoot day.
Pair it with
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